![]() ![]() You'll never root for Frank more than you do by the end of these six episodes. ![]() ![]() Until now, House of Cards has centred on the character's outward expression of power - not to mention his hunger for it - but the writers have shrewdly stripped that back, instead focusing on the character's internal fears in a way not dissimilar from Tony's dream sequences in The Sopranos. While there is no moment to rival season two's Zoe Barnes shocker (they give it a good go), the most lingering moments subtly emerge from the script's focus on Frank's inner psyche. Stylistically, the opening episodes posit season four as the show's most ambitious yet - a big statement considering it's risk-taking previous.
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